Jan

25

2008

whoredom and loyalty

Filed under: Girl from Mars, One Night Stand, writing

Because I am being an internet whore (hooray!) I’m a guest today on Jennifer’s Random Musings. Pop on over for a chance to talk about beautiful men and also to win a copy of One Night Stand!

I said I’d blog a little bit about my process for plotting a novel. I’m not much good with plot as a whole; I tend to find that the characters provide the action, so my main job is figuring out the characters. Yesterday, I wrote down a whole bunch of questions about my main character, her three best friends, and the comic book she works on. I’ve answered some of those questions, but I’ve got more work to do on it. As I answer the questions, often scenes pop into my head.

In the early stages of structuring a novel I need to think about how the themes of the book work, and how the secondary characters reflect the main character. Like, for example, in One Night Stand, the characters of Eleanor’s relatives, Sheila and June, reflect issues that Eleanor herself is going through, about change, parenthood, and the nature of responsibility. I developed them and chose what happened to them purely because of how these things would affect Eleanor.

Girl from Mars is about loyalty, and I’ve begun to figure out why and how loyalty affects Fil (the heroine) and Dan (the hero). Now I’m going to do some work about what loyalty means to her three best friends, Jim, Digger, and Stevo–and also what it means to the character in the comic book she draws, “Girl from Mars”.

This should, pretty much, give me the plot! For example, I’m suspecting that Digger has a secret about his family, a very good reason why he doesn’t owe his father any loyalty at all. But something traumatic will happen that tests how he feels about his father and what kind of person Digger is. Of course Digger is a secondary character, so I need to think about how and where I can place this traumatic event so that it actually tests the protagonist Fil’s emotions and sense of herself, too.

I really find that choosing themes in this way, or an issue I want to explore in various permutations, helps me develop the story. Other themes come in, too, and it all gets complicated, but having a general “big idea” is really useful to me.

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  1. i picked my first LBD book up from Asda…am now going to plot a novel about the place, hell, i do enough research there. really interesting to read how you plot…

    Reply

  2. Okay, I’ve learned something already. My secondary characters are usually there to help move the plot along, but I’ve never thought of using them as “echoes” of the lead characters.

    *scribble scribble*

    Reply

  3. What a great insight into the creative process – thank you Julie.

    Reply

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I write humorous, emotional romantic novels for Headline.

This blog is about my writing challenges. Occasionally I also talk about good-looking men.

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The Summer of Living Dangerously

THE SUMMER OF LIVING DANGEROUSLY

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Getting Away With It

GETTING AWAY WITH IT

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Nina Jones and the Temple of Gloom

NINA JONES AND THE TEMPLE OF GLOOM

March 2010
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Girl from Mars

GIRL FROM MARS

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